Sculpting the Immaterial 2017
Adopting the pictorial conventions of ‘still life’, photographic time exposures of the practice of Ikebana explore notions of transience and…
Adopting the pictorial conventions of ‘still life’, photographic time exposures of the practice of Ikebana explore notions of transience and…
Black and white 4″ X 5″ time exposures. Contact prints on fiber , some enlarged to 8” X 10″ and…
In 2016, I embarked on a series of studio wall meditations, Meditation on a Studio Wall. While the large camera…
“The large recreation (approximation) of the artist’s studio backdrop –PRACTICE SHELVES #5– engages with tropes of still life painting ……
Prior to making an arrangement, plant materials have been collected and the container has been selected. There is a moment…
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“4 minutes, four postures in the studio You sit for a long time … long is relative; hours for some…
5 minute time exposures with 4″ x 5″ camera. I “Yes, the image appears, or no it does not. The…
In this photograph (2009) I am replacing plywood panels from the studio wall which I had earlier removed in order…
For this piece I carved heads from apples and then photographed them. Printed to 5” X 7” and 8” X…
My most recent installation of work titled ‘COMPOST’ began with morning walks in the forest near my house. Returning to…
3 minute meditation on COMPOST, (an installation of works in my studio) with 3 minute time exposures using the 4″…
6 minute meditations on Poplar Tree + 6 minute time exposures of the Poplar Tree with 8″ X 10″ camera….
A painting by my late great aunt Sylvia Sutton hangs in my living room. The painting was left to me…
Passing Comments, a wall collage of 600+ photographs is a personal and poetic mediation on a particular feminist history. Arriving…
While cleaning up the studio, I retrieved a box of Polaroid self-portraits I had taken in the mid 1990’s. They…