Studio Shadows 2017

In the darkroom, I cut long sheets of fiber-based paper from a roll and pin the unwieldy and awkwardly cut pieces to the wall. I build cardboard and balsa wood models of ‘tunnels’ and ‘verandahs’ and now hold them against the surface. Switching the light on and off again I expose the photographic paper. In the darkness I roll the paper through the Developer. Slowly it softens.

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