A painting of a vase and cups on a wall.

Sculpting the Immaterial: The Fundamental Impermanence of All Things

I consider Morandi in his bedroom, painting images of bottles in Bologna while fascists take hold of Italy and think about about the relevance and significance of my ‘practice’. Adopting the pictorial conventions of ‘still life’, photographic time exposures of Ikebana practice explore notions of transience and decay and are a constant reminder of the fundamental impermanence of all things.

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Contemporary artist

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